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February 2 @ 8:00 pm
$10 in advance / $12 day of show
Doors: 8pm, Show: 9pm
Featuring guest Aaron Daniel Gaul.
I know that the well I seek is bound to be the deepest of all been ever told I know that to plant a seed is alchemy, we can watch the dust turn into gold
So sings the hypnotic refrain in “Turn Into Gold”, a meditative slide-guitar rocker where Jacobs sings about channeling the muse, or “tapping the source”, as he calls it. It’s about the desire to be “enraptured in the mystery, the unknown, the questions, the answers all at once,” Jacobs describes. This is the place in which his songwriting occurs, and from where Jacobs’ performances derive so much electricity. In discussing the song’s inspiration, Jacobs reflects, “if I’m playing or singing and I’m really connected to that source and I’m really locked in and there’s a room full of people experiencing that, the hope is then for them to get locked into their own thing, and it’s this beautiful, ecstatic magic that happens. To me, this is that elusive goal that I chase every time I sit down to write a song or every time I get on stage to perform.”
Other songs on Dust to Gold paint Jacobs’ desire to express the beauty and struggle of the human condition. In “Cold Carolina”, Jacobs pleads softly and emotively about a despondent relationship, the feeling of displacement, and the seeking of redemption, of salvation. In “Little Dreamer”, Jacobs, accompanied by his wife, Kat Jacobs, sings sweetly to their unborn child, whom he discovered was on the way only moments before leaving to start recording the album. “It’s a blink of an eye, this life / tiny grains in sands of time / so tie your purposes on wings and fly to the heavens with the grace and courage of a thousand kings”, he sings to the tiny, nascent being.
The opening track, “The Devil or Jesse James”, is a rousing mixture of New Orleans rhythm, blues, and rock and roll with ethereal tendrils of psychedelic guitar reaching out across the soundscape; painting a tale of a man trying to change identities and run away from one’s past. On the album, the full band includes a richly funky rhythm section, featuring Todd
Herrington on bass, Dusty Ray Simmons on drums, as well as John Ginty on Hammond organ and keyboards, who has been a master side man for years, working with Robert Randolph and the Family Band, Jewel, Citizen Cope; and most currently tours with the Dixie Chicks.
Though “Dust to Gold” clearly showcases Jacobs’ well-worn songwriting chops, he is an improviser at heart, and he brings the spirit of seeking and living in the moment to the stage each time. In every performance, he tries to push the envelope, exploring the depth of each song anew. Whether live or on the album, Jacobs’ dynamic voice and guitar envelope the listener completely and instantly, transporting you into the rich, sultry folds of his soulful sound.
Cris Jacobs continues to nurture a devoted audience that knows that whatever the instrumentation or setting he plays, it will be richly authentic, and conveyed with an improviser’s curious spirit and palpable presence. We can only expect further evolution from Jacobs, an artist constantly inspired by the search for “those beautiful, sad, inspiring, heartbreaking magical corners of life. The most rewarding, and terrifying part of trying to be an artist is the journey itself, the vulnerability and riskiness in seeking them out trying to express them. Sometimes you hit dead ends, and sometimes you strike pure gold.”